Lineage of Forrest · English · 1775 to 1802

Thomas Girtin

Dead at twenty-seven; Turner said that had Girtin lived, he himself would have starved.

Girtin and Turner were exact contemporaries and friendly rivals, and Girtin's broad, simplified handling of castles, abbeys and river towns changed what a landscape drawing could be. He died at twenty-seven. His last project, A Selection of Twenty of the Most Picturesque Views in Paris (1802 to 1803), was etched in soft ground from his own drawings and shows the method plainly: the big masses of a city placed first, the detail kept to a few deliberate accents.

His graphite sheets of Warwick Castle and a castle on a shore are quick, structural and unafraid. They are a good model for the field sketch: the envelope, the main divisions, the shadow side, and stop.

Warwick Castle, Girtin, n.d.
Art Institute of Chicago

Girtin, Warwick Castle, n.d.. Graphite on cream wove paper.

The Art Institute of Chicago · The Leonora Hall Gurley Memorial Collection