Jean-Baptiste-Camille Corot

Souvenir of the Fortifications of Douai

1869–70 · Etching on ivory laid paper · Plate: 15.9 × 23.8 cm (6 5/16 × 9 3/8 in.); Sheet: 19.2 × 31.3 cm (7 9/16 × 12 3/8 in.)

Souvenir of the Fortifications of Douai, Corot, 1869–70
Art Institute of Chicago

Corot, Souvenir of the Fortifications of Douai, 1869–70. Etching on ivory laid paper.

The Art Institute of Chicago · The Charles Deering Collection

How to look at a Corot

  • Squint first. Count the masses. If you count more than four, squint harder.
  • Find the lightest light (nearly always sky, or water reflecting sky) and the darkest dark (nearly always a foreground tree trunk or a shadow under foliage). Everything else sits between them.
  • In the Italian graphite sheets, notice how much paper is untouched and how few lines describe a whole hill town. Then notice that every one of those lines is exactly placed.
  • In the late charcoals, look for where an edge disappears: a trunk into shadow, a hill into sky. Those lost edges are the air.
  • In the etchings, half-close your eyes until the lines vanish and only tones remain. That is what he was building.

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