Jean-Baptiste-Camille Corot

Ville d'Avray: Boatman on a Pond (Evening Effect)

1862 · Etching; third state of three · Sheet: 3 5/16 × 5 1/4 in. (8.4 × 13.3 cm)

Ville d'Avray: Boatman on a Pond (Evening Effect), Corot, 1862
Metropolitan Museum of Art

Corot, Ville d'Avray: Boatman on a Pond (Evening Effect), 1862. Etching; third state of three.

The Metropolitan Museum of Art · Gift of Theodore De Witt, 1923

How to look at a Corot

  • Squint first. Count the masses. If you count more than four, squint harder.
  • Find the lightest light (nearly always sky, or water reflecting sky) and the darkest dark (nearly always a foreground tree trunk or a shadow under foliage). Everything else sits between them.
  • In the Italian graphite sheets, notice how much paper is untouched and how few lines describe a whole hill town. Then notice that every one of those lines is exactly placed.
  • In the late charcoals, look for where an edge disappears: a trunk into shadow, a hill into sky. Those lost edges are the air.
  • In the etchings, half-close your eyes until the lines vanish and only tones remain. That is what he was building.

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