Jean-Baptiste-Camille Corot

Environs de Rome

1866 · Etching; between second and third state of three · Plate: 12 5/16 × 9 3/8 in. (31.2 × 23.8 cm) Sheet: 19 in. × 13 7/16 in. (48.2 × 34.2 cm)

Environs de Rome, Corot, 1866
Metropolitan Museum of Art

Corot, Environs de Rome, 1866. Etching; between second and third state of three.

The Metropolitan Museum of Art · H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

How to look at a Corot

  • Squint first. Count the masses. If you count more than four, squint harder.
  • Find the lightest light (nearly always sky, or water reflecting sky) and the darkest dark (nearly always a foreground tree trunk or a shadow under foliage). Everything else sits between them.
  • In the Italian graphite sheets, notice how much paper is untouched and how few lines describe a whole hill town. Then notice that every one of those lines is exactly placed.
  • In the late charcoals, look for where an edge disappears: a trunk into shadow, a hill into sky. Those lost edges are the air.
  • In the etchings, half-close your eyes until the lines vanish and only tones remain. That is what he was building.

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