Ville d'Avray: Boat Under the Willows (Morning Effect)
1857 · Etching; second state of two · Plate: 3 1/16 in. × 5 in. (7.8 × 12.7 cm) Sheet: 3 3/4 × 5 1/2 in. (9.5 × 14 cm)

Corot, Ville d'Avray: Boat Under the Willows (Morning Effect), 1857. Etching; second state of two.
The Metropolitan Museum of Art · Gift of Theodore De Witt, 1923
How to look at a Corot
- Squint first. Count the masses. If you count more than four, squint harder.
- Find the lightest light (nearly always sky, or water reflecting sky) and the darkest dark (nearly always a foreground tree trunk or a shadow under foliage). Everything else sits between them.
- In the Italian graphite sheets, notice how much paper is untouched and how few lines describe a whole hill town. Then notice that every one of those lines is exactly placed.
- In the late charcoals, look for where an edge disappears: a trunk into shadow, a hill into sky. Those lost edges are the air.
- In the etchings, half-close your eyes until the lines vanish and only tones remain. That is what he was building.



