Jean-Baptiste-Camille Corot

Souvenir of Italy (Souvenir d'Italie)

1866 · Etching; probably an intermediate state between the second and third · Plate: 12 5/8 × 9 7/16 in. (32 × 24 cm) Sheet: 19 11/16 × 13 3/4 in. (50 × 34.9 cm)

Souvenir of Italy (Souvenir d'Italie), Corot, 1866
Metropolitan Museum of Art

Corot, Souvenir of Italy (Souvenir d'Italie), 1866. Etching; probably an intermediate state between the second and third.

The Metropolitan Museum of Art · H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

How to look at a Corot

  • Squint first. Count the masses. If you count more than four, squint harder.
  • Find the lightest light (nearly always sky, or water reflecting sky) and the darkest dark (nearly always a foreground tree trunk or a shadow under foliage). Everything else sits between them.
  • In the Italian graphite sheets, notice how much paper is untouched and how few lines describe a whole hill town. Then notice that every one of those lines is exactly placed.
  • In the late charcoals, look for where an edge disappears: a trunk into shadow, a hill into sky. Those lost edges are the air.
  • In the etchings, half-close your eyes until the lines vanish and only tones remain. That is what he was building.

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