Jean-Baptiste-Camille Corot

The Woods of the Hermit (Le Bois de l'ermite)

1858 · Cliché-verre; first state of two · Sheet (Trimmed): 6 7/16 × 9 1/8 in. (16.3 × 23.1 cm)

The Woods of the Hermit (Le Bois de l'ermite), Corot, 1858
Metropolitan Museum of Art

Corot, The Woods of the Hermit (Le Bois de l'ermite), 1858. Cliché-verre; first state of two.

The Metropolitan Museum of Art · The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1989

How to look at a Corot

  • Squint first. Count the masses. If you count more than four, squint harder.
  • Find the lightest light (nearly always sky, or water reflecting sky) and the darkest dark (nearly always a foreground tree trunk or a shadow under foliage). Everything else sits between them.
  • In the Italian graphite sheets, notice how much paper is untouched and how few lines describe a whole hill town. Then notice that every one of those lines is exactly placed.
  • In the late charcoals, look for where an edge disappears: a trunk into shadow, a hill into sky. Those lost edges are the air.
  • In the etchings, half-close your eyes until the lines vanish and only tones remain. That is what he was building.

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