Jean-Baptiste-Camille Corot

Monte Pincio, Rome

1840–50 · Oil on canvas · 27 × 40.6 cm (10 5/8 × 16 in.); Framed: 41.3 × 54.7 cm (16 1/4 × 21 1/2 in.)

Monte Pincio, Rome, Corot, 1840–50
Art Institute of Chicago

Corot, Monte Pincio, Rome, 1840–50. Oil on canvas.

The Art Institute of Chicago · Mr. and Mrs. Lewis Larned Coburn Memorial Collection

How to look at a Corot

  • Squint first. Count the masses. If you count more than four, squint harder.
  • Find the lightest light (nearly always sky, or water reflecting sky) and the darkest dark (nearly always a foreground tree trunk or a shadow under foliage). Everything else sits between them.
  • In the Italian graphite sheets, notice how much paper is untouched and how few lines describe a whole hill town. Then notice that every one of those lines is exactly placed.
  • In the late charcoals, look for where an edge disappears: a trunk into shadow, a hill into sky. Those lost edges are the air.
  • In the etchings, half-close your eyes until the lines vanish and only tones remain. That is what he was building.

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1 study of this work

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