Lineage of Forrest · English · 1803 to 1874

Thomas Shotter Boys

Prout's pupil and Bonington's friend: the street elevation, drawn straight and lit from the side.

Boys trained as an engraver, worked in Paris alongside Bonington, and produced the two finest architectural print series of the 1830s and 1840s: Picturesque Architecture in Paris, Ghent, Antwerp, Rouen (1839), the first fully chromolithographed book, and Original Views of London As It Is (1842). His pencil drawings for them are the point here: street facades drawn with a ruler's honesty and a draughtsman's eye for where the shadow falls.

He is the straight-line counterpart to Prout's broken one. Where Prout wobbles to make stone old, Boys draws the elevation true and lets light and shadow do the ageing. A beginner needs to be able to do both, and Forrest's closes are usually Boys's drawing with Prout's line.

London As It Is:  Westminster Abbey, Shotter Boys, 1842
Cleveland Museum of Art

Shotter Boys, London As It Is: Westminster Abbey, 1842. lithograph.

The Cleveland Museum of Art · Gift of Mrs. Ralph Perkins in memory of Coburn Haskell

What to steal

  1. 1The facade as an elevation first: plumb verticals, true bays, then perspective applied to it.
  2. 2Side light. The street is interesting because one side is in shadow.
  3. 3Figures and carriages placed to lead the eye down the street.

How to look

  • Check the verticals with a pencil held plumb. They are vertical.
  • Find the shadow side and count how many values it contains.

Studies 3 guided · 15 plate copies

All 18 →

Works

18 public-domain