Standing Male Nude

Corot, Standing Male Nude, 1843. Graphite, with stumping, on greenish ivory laid paper.
Pins mark where to look before you draw.
The Art Institute of Chicago · Regenstein Endowment Fund
Standing Male Nude
Corot in the life room, 1843
1843, graphite with stumping on greenish ivory paper: a model standing with one arm raised, drawn from life. The academic exercise every French painter did, done by a man who mostly drew trees. Contour, a little stumped shadow, and a lot of measuring.
- Difficulty
- Time
- about 2 h
- You draw with
- HB and 2B graphite
Why this one
- Comparative measurement at its most demanding: a human figure, where everyone sees errors.
- Shows the sighting-and-measuring habit under pressure.
From your kit
The whole kit →- 1Grafwood HB, 2B HB for layout and line; 2B for the darks. Long points from the Blackwing on everything up to B.
- 2Kneaded eraser and the Mono Zero press-and-lift corrections only; the Mono Zero for a single sharp light.
- 3Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
- Drawing pad
- HB and 2B
- Stump
- Kneaded eraser
Watch first
All videos →Comparative measurement with a straight arm, demonstrated on a still life.
YouTubeThe plan
3 stages · ~110 min- 1
Plumb and heads
20 minDrop a plumb line from the head to the weight-bearing foot. Measure the figure in heads.
Checklist0 / 2 - 2
Angles and contour
60 minSight the raised arm, the tilt of the shoulders, the hips. Contour in HB, broken.
Checklist0 / 2 - 3
Shadow and box
30 minShadow side as one stumped tone. Box.
Checklist0 / 2
What it should look like
- A standing figure whose weight is on one foot and whose shadow side is one soft tone.
Where it goes wrong
- The figure leaning off its foot. No plumb line. Drop it first; the foot sits under the head.
Log this session
Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.
Status
How did it go?
Before this, ideally



