The Lonely Tower

The Lonely Tower, Corot, 1871
Art Institute of Chicago

Corot, The Lonely Tower, 1871. Transfer lithograph in black on tan China paper laid down on white wove paper.

Pins mark where to look before you draw.

The Art Institute of Chicago · William McCallin McKee Memorial Endowment

The Lonely Tower

A tower as one mass among trees, in crayon

1871, from the set of twelve autographic lithographs: a round tower on a rise, trees crowding its base, a wide sky scribbled in. The crayon on the transfer paper behaves like charcoal on toothed paper, so this is a late fusain you can copy with a soft pencil on its side. The tower is a mass, not a building.

Difficulty
Time
about 2 h
You draw with
4B and 6B graphite on their sides, or a woodless stick, charcoal pencil

Why this one

  • Architecture handled entirely as mass: a cylinder in light, no masonry.
  • The tooth of the stone shows in every stroke, which teaches the paper-tooth lesson by example.

From your kit

The whole kit →
  1. 1Grafwood 4B, 6B 4B, 6B for the darks, on their sides for mass. Long points from the Blackwing on everything up to B.
  2. 2Willow charcoal, or until it arrives Pitt Matt 12B and 14B on their sides the matt grades are the closest graphite gets to willow. Slip sheet under the hand.
  3. 3Pitt Matt 14B, knife-sharpened stands in for the charcoal pencil: trunk, branch zig-zag, the one accent.
  4. 4Kneaded eraser (warm it) and the clean Mono Zero lift the lights out of the mass; the Mono Zero for sky holes and lit edges.
  5. 5Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
  • Drawing pad, medium tooth
  • 2B, 4B, 6B with long points
  • Kneaded eraser
  • Precision eraser
  • Slip sheet
  • woodless 6B stick

Watch first

All videos →

Corot's 1871 autographies are crayon lithographs. This is the process in four minutes.

YouTube

The plan

3 stages · ~100 min
  1. 1

    Cylinder in light

    20 min

    Envelope the tower as a cylinder. Decide the light (from the left). Lay its three zones with the side of the 4B: lit, halftone, shadow. No stones.

    Light on a sphere and a cube from the upper left: highlight, light, halftone, core shadow, reflected light and cast shadow, labelledhighlightlighthalftone (the turn)core shadow (darkest on theform)reflected light (never aslight as the lit side)cast shadow (darkest at thecontact)top planelightestfront: halftoneside: shadowEvery building is cubes, every tree is spheres. Decide where the light is before the first mark.
    FigureEvery building is cubes and cylinders.
    Checklist0 / 1
  2. 2

    Trees and ground

    50 min

    Side of the stick: the tree masses crowding the base, darkest where they touch the tower. Ground in long side-strokes. Keep the paper's grain showing.

    Checklist0 / 2
  3. 3

    Sky and compare

    30 min

    Sky as open scribble with the 2B. Compare with the print. Note where you drew a stone.

    Checklist0 / 2

What it should look like

  • A tower you believe is stone without a single stone, standing in crayon trees.

Where it goes wrong

  • Masonry lines on the tower. You know it is stone. Erase them. The value turn is the stone.

Log this session

Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.

00:00of ~120 min

Status

How did it go?

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