Willows and White Poplars

Corot, Willows and White Poplars, 1871. Transfer lithograph printed in brown on light gray China paper laid down on white wove paper.
Pins mark where to look before you draw.
The Art Institute of Chicago · William McCallin McKee Memorial Endowment
Willows and White Poplars
Two kinds of tree in one crayon drawing
1871: pollarded willows, heavy and low, against tall thin poplars, with water and a figure. Corot draws two tree characters with two kinds of mark: squat scribbled masses for the willows, long vertical strokes for the poplars. The Cleveland impression is printed in a red-brown chalk colour, which shows how close these are to sanguine drawings.
- Difficulty
- Time
- about 2 h
- You draw with
- 4B and 6B graphite on their sides, charcoal pencil
Why this one
- Two tree species as two mark vocabularies.
- Teaches that mass and line can share a sheet.
From your kit
The whole kit →- 1Grafwood 4B, 6B 4B, 6B for the darks, on their sides for mass. Long points from the Blackwing on everything up to B.
- 2Willow charcoal, or until it arrives Pitt Matt 12B and 14B on their sides the matt grades are the closest graphite gets to willow. Slip sheet under the hand.
- 3Pitt Matt 14B, knife-sharpened stands in for the charcoal pencil: trunk, branch zig-zag, the one accent.
- 4Kneaded eraser (warm it) and the clean Mono Zero lift the lights out of the mass; the Mono Zero for sky holes and lit edges.
- 5Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
- Drawing pad, medium tooth
- 2B, 4B, 6B with long points
- Kneaded eraser
- Precision eraser
- Slip sheet
Watch first
All videos →The drawing stage only: litho crayon on stone behaves like charcoal on toothed paper. That is why the Corot lithographs look like his fusains.
YouTubeThe plan
3 stages · ~110 min- 1
Two vocabularies
15 minOn scrap: ten willow marks (side of the 6B, short, scribbled) and ten poplar marks (long verticals with the edge). Feel the difference.
Checklist0 / 1 - 2
Masses then verticals
70 minWillows first as masses, lit on top. Then poplars as vertical strokes rising past them. Trunks in charcoal pencil, zig-zagging.
Checklist0 / 2 - 3
Ground, water, figure
25 minGround in side-strokes, a level water line, the figure as a dark note. Compare and box.
Checklist0 / 1
What it should look like
- Two obviously different kinds of tree, made with two kinds of mark.
Where it goes wrong
- Both species drawn the same way. One habit of mark. Change grip: overhand for willows, tripod for poplars.
Log this session
Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.
Status
How did it go?
Before this, ideally
Related studies
Master studyCorot · The lithographs
The Lonely Tower
A tower as one mass among trees, in crayon
2h
Master studyCorot · Souvenirs: the late paintings
Willows and Farmhouse at Sainte-Catherine-lès-Arras
A farmhouse hiding in trees
1.5h
Master studyCorot · The late charcoals
Landscape (The Large Tree)
One dark mass, the lights lifted out
1.5h

