The broken line
The broken line
Copy a Prout wall, then draw an old wall near you
Draw weathered stone with a line that breaks, wobbles and returns, and know when not to.
- Master
- Samuel Prout
- Difficulty
- Time
- about 1 h
- You draw with
- HB and 2B, sharp long points
Why this one
- Unit 4 of the program: Line: the Draughtsman's Half.
- A wall passage that reads as old stone, with breaks that come from looking rather than from a pattern.
From your kit
The whole kit →- 1Grafwood HB, 2B HB for layout and line; 2B for the darks. Long points from the Blackwing on everything up to B.
- 2Kneaded eraser and the Mono Zero press-and-lift corrections only; the Mono Zero for a single sharp light.
- 3Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
- Drawing pad
- HB and 2B, sharp long points
- An old wall, gate pier or step near you, or a photo
Watch first
All videos →On the quality of each individual line inside a hatch, which is what separates Meryon from a beginner.
YouTube
Sketch like an architect: techniques and tips from a real project30X40 Design Workshop · Line weight hierarchy and when to stop, from an architect.
How Rembrandt made his prints: a demonstrationChristie's · Filmed at the Rembrandt House. The clearest view of drawing with a needle through ground, which is why etched line looks the way it does.The plan
4 stages · ~50 min- 1
Copy a Prout passage
15 minChoose a six-inch square of the Louvain town hall: a stretch of wall with a window and a cornice. Copy it at the same size, tripod grip, sharp point, lifting the pencil every inch, letting the line thicken over a chipped corner and fade across a worn one. Not a regular dash. Break where the stone is actually broken in the print.

Prout, Hotel de Ville, Louvain, from Facsimiles of Sketches made in Flanders and Germany, 1833. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper.
Prout, Hotel de Ville, Louvain. Choose a passage and copy its broken line.
The Art Institute of Chicago · The Leonora Hall Gurley Memorial Collection
Checklist0 / 1 - 2
Contrast with a ruled version
15 minBeside it, draw the same passage with continuous, ruler-straight lines. Compare. One is a Gothic town hall; the other is a modern office. Nothing changed but the line.
FigureContinuous reads as new; broken reads as old. Checklist0 / 1 - 3
A real old wall
15 minFrom life or photo: an old wall, pier or step. Courses as broken horizontals, more broken where lit. A few vertical joints near the top, the ends and the base. Tone in the middle. Twenty minutes.
Checklist0 / 1 - 4
Self-check
5 minTick each item honestly. If one is a no, the session is not finished; go back to that step.
Checklist0 / 3
What it should look like
- A wall passage that reads as old stone, with breaks that come from looking rather than from a pattern.
Where it goes wrong
- A regular dashed line. Pattern instead of observation. Look at where the edge is crisp and where it is worn. Break only there.
Log this session
Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.
Status
How did it go?