Old Battersea Bridge

Old Battersea Bridge, Whistler, 1879
Cleveland Museum of Art

Whistler, Old Battersea Bridge, 1879. etching and drypoint.

Pins mark where to look before you draw.

The Cleveland Museum of Art · Gift of Mr. and Mrs. Ralph King

Master studyLine

Old Battersea Bridge

A timber bridge drawn in full, a river drawn in fragments

The 1879 etching of the old wooden bridge across the Thames: its piers and deck drawn with care, boats and far shore reduced to shorthand, and the whole upper third of the plate left as paper. Whistler's 'finish in the middle' with a structure as the middle.

In pencilAn etched line is a drawn line. Copy it with hard grades and long points: tone from the spacing and direction of lines, cross-hatching only in the darkest third, no smudging anywhere.

Difficulty
Time
about 2 h
You draw with
H, HB, 2B graphite

Why this one

  • A bridge as structure: posts, braces, deck, each a decision.
  • The hierarchy of finish: bridge, then boats, then shore, then nothing.
  • Water as horizontals with gaps.

From your kit

The whole kit →
  1. 1Grafwood H, HB, 2B H, HB for layout and line; 2B for the darks. Long points from the Blackwing on everything up to B.
  2. 2Kneaded eraser and the Mono Zero press-and-lift corrections only; the Mono Zero for a single sharp light.
  3. 3Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
  • Drawing pad or smooth cartridge
  • 2H and H with long points
  • HB for accents
  • Kneaded eraser
  • Sandpaper block

Watch first

All videos →

Vertical strokes, darker lights, horizontal breaks: the pond at Ville-d'Avray in method.

YouTube

The plan

4 stages · ~95 min
  1. 1

    Deck and piers

    20 min

    H: the deck as one horizontal placed by measurement; the piers as plumb verticals under it, spaced as the plate spaces them. Check the spacing against the deck's length with the pencil held out.

    Plumb and level lines dropped through a scene reveal what lines up with what: the tower corner falls on the gate post, the eave aligns with the far hilltower corner sits over the postbarn ridge is plumbunder the chimney?no: offsetbarn eave level with tower windowboth bases on one levelHold the pencil truly vertical or truly horizontal at arm's length and read what itcrosses.Alignments are free accuracy. Find three before you draw a single detail.
    FigurePlumb and level by eye.
    Checklist0 / 2
  2. 2

    The structure, finished

    45 min

    HB and 2B: posts, braces, the deck's underside, the shadows between them. This is the finished passage; draw it fully. Then the boats as shorthand, and the far shore as a few strokes, each stage lighter than the last.

    Line weight: the same box drawn with uniform line and with weighted line, heavier on the shadow side and where forms touch the groundUNIFORM LINE (DEAD)WEIGHTED LINE (ALIVE)heaviest where it meets thegroundlighteston the littop edgeA line's weight tells the eye which edge is in light, which turns away, and what is heavy. Vary it on purpose.
    FigureHeavy where finished, light where not.
    Checklist0 / 3
  3. 3

    Water

    20 min

    Horizontal strokes with gaps, closest under the piers, opening to nothing toward the edges. A few verticals under the posts for reflection, broken.

    Checklist0 / 2
  4. 4

    Compare

    10 min

    Where does Whistler stop? Where did you stop? Note, date, box.

    Checklist0 / 2

What it should look like

  • A bridge you could build from the drawing, on a river you can barely see.
  • Finish that falls away in steps.
  • Sky as paper.

Where it goes wrong

  • Everything finished equally. Fairness to the subject. Rank the parts before you start; draw them in that order and stop earlier each time.

Log this session

Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.

00:00of ~120 min

Status

How did it go?

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