View of Nepi

View of Nepi, Corot, c. 1826
Art Institute of Chicago

Corot, View of Nepi, c. 1826. Graphite on off-white wove paper.

Pins mark where to look before you draw.

The Art Institute of Chicago · Arthur Heun Fund

View of Nepi

Terrain as long contour

Nepi, around 1826: a walled town along the top of a tufa cliff, with the whole lower two-thirds of the sheet given to the broken ground below it. Where Marino is about placing a town, Nepi is about describing a hillside with contour alone: long lines that follow the fall of the land, a few short strokes for the rock faces, and the town as a thin band of verticals along the skyline.

Difficulty
Time
about 2 h
You draw with
2H and H graphite

Why this one

  • It isolates the hardest skill in landscape line drawing: making ground recede with contour lines and no tone.
  • The town is a skyline problem, the cliff is a plane problem, and the two meet on one line.
  • It shows how the young Corot used a change of line direction to turn a form.

From your kit

The whole kit →
  1. 1Grafwood 2H, H 2H, H for layout and line. Long points from the Blackwing on everything up to B.
  2. 2Kneaded eraser and the Mono Zero press-and-lift corrections only; the Mono Zero for a single sharp light.
  3. 3Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
  • Drawing pad or smooth cartridge
  • 2H and H with long points
  • HB for accents
  • Kneaded eraser
  • Sandpaper block

Watch first

All videos →

Sighting angles with a pencil against level and plumb.

YouTube

The plan

4 stages · ~90 min
  1. 1

    Find the one line

    10 min

    The whole drawing hangs from the line where town meets cliff. Sight its angle and its height on the sheet (about a third down). Draw it first, long, from the shoulder, in one pass.

    Checklist0 / 1
  2. 2

    The town as a band

    25 min

    Along that line, the town: short verticals for walls and towers, a few roof slopes, the whole band thinner than you think. Measure the tallest tower against the band's length.

    Checklist0 / 1
  3. 3

    The ground, by direction

    45 min

    With the H, lay the terrain in long contour lines that follow the slope. Where a rock face turns, let the strokes change direction rather than get darker. Keep pressure constant. The nearest ground gets the longest, most widely spaced lines.

    The ground plane graded from darker and textured near the viewer to lighter and smoother in the distance, with cast shadows anchoring objects to itdarker+ texturecast shadow glues it downNear ground: more texture, more contrast, darker. Far ground: a flat pale wash. Nocast shadow = floating.The ground is a plane that recedes, not a backdrop. Draw it going away.
    FigureThe ground recedes. Texture near, calm far: here it is done with line spacing.
    Checklist0 / 2
  4. 4

    Audit

    10 min

    Squint at both. Does the ground read as falling away? If it reads as a flat pattern, your lines are too even. Thin them in the distance.

    Checklist0 / 2

What it should look like

  • A thin skyline town over a hillside of long lines that visibly falls toward you.

Where it goes wrong

  • The hillside reads as a flat net of hatching. Lines evenly spaced and all the same length. Longer, sparser lines near; shorter, finer lines far. Let direction change at each turn of the rock.

Log this session

Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.

00:00of ~120 min

Status

How did it go?

Related studies