Cley Church, Norfolk

Cotman, Cley Church, Norfolk, 1818. Graphite and gray wash on ivory wove paper.
Pins mark where to look before you draw.
The Art Institute of Chicago · Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
Cley Church, Norfolk
An architectural elevation in line and one wash
1818, graphite and grey wash: the church at Cley-next-the-Sea drawn as a near elevation, every window head a compass construction done freehand, buttresses and parapet exact, a grey wash for the shadow side and nothing else. The tracery lesson and the two-point lesson in one sheet, by the most economical architectural hand in England.
- Master
- John Sell Cotman
- Difficulty
- Time
- about 3 h
- You draw with
- 2H, H, HB graphite, 4B scumble for the wash
Why this one
- Tracery as geometry you can rebuild.
- One flat wash for all shadow planes: value grouping on a building.
From your kit
The whole kit →- 1Grafwood 2H, H, HB, 4B 2H, H, HB for layout and line; 4B for the darks. Long points from the Blackwing on everything up to B.
- 2Kneaded eraser and the Mono Zero press-and-lift corrections only; the Mono Zero for a single sharp light.
- 3Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
- Drawing pad or smooth cartridge
- 2H and H with long points
- HB for accents
- Kneaded eraser
- Sandpaper block
Watch first
All videos →Trefoil and quatrefoil geometry, the tracery lesson's circles.
YouTubeThe plan
4 stages · ~170 min- 1
Envelope and faces
30 minEye level low. Envelope the church; sight the roof pitches; two faces receding.
Checklist0 / 1 - 2
Windows from geometry
80 minEach window head: main arch, mullions, sub-arches at half span, circle in the spandrel. Cusps as dark notches only.
FigureArch, mullion, sub-arches, circle. Checklist0 / 2 - 3
One wash
40 minAll shadow planes as one flat 4B scumble. Buttress shadows at one angle. Gravestones as small boxes.
Checklist0 / 1 - 4
Audit
20 minSquint: three flat shapes? Box.
Checklist0 / 1
What it should look like
- A church elevation whose windows are built, not decorated, with one quiet shadow tone.
Where it goes wrong
- Tracery drawn as decoration on the surface. Bars drawn as lines. Shade the glass shapes; the bars are what is left.
Log this session
Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.
Status
How did it go?
Before this, ideally



