Composition

Line + Mass

Format and horizon

Decide what the picture is about. Sky? Horizon low. Ground and buildings? Horizon high. One tall thing? Turn the paper. Never cut the page in half.

The first decision on every page is the shape of the paper and where the horizon goes. A landscape format with a low horizon makes a sky picture; with a high horizon, a ground picture full of fields and buildings. A portrait format suits a single tall subject: a tower, a tree, a street. Decide which by asking what the picture is about, and give that thing the most room.

The horizon never goes across the middle. A page cut in half is static and the eye does not know which half matters. A third of the way up or down is the usual answer and it is usual because it works.

Use the viewfinder (two L-shaped cards) to try formats before you commit. Slide it taller, wider, closer. The right crop often removes half of what you thought was the subject.

From your kit

The whole kit →
  1. 1Grafwood 2B or 4B, blunt thumbnails are value notes two inches wide; a blunt soft pencil stops you drawing detail.
  2. 2Alpha sketchbook six thumbnails to a page, dated.

Visuals

Format and horizon: a landscape format with a low horizon for a big sky, a landscape format with a high horizon for a big ground, and a portrait format for a tall subject; never the horizon in the centreLOW HORIZON · SKYHIGH HORIZON · GROUNDPORTRAIT · TALL SUBJECTCENTRED · CUT IN HALFDecide what the picture is ABOUT.Sky? Horizon low. Ground and buildings? Horizon high.One tall thing? Turn the paper.The first decision on every page is where the horizon goes. Make it before the first mark.
FigureLow, high, tall. Never centred.

Pitfalls

What

Always drawing in the pad's default landscape orientation.

Why

Tall subjects get squeezed and the horizon drifts to the centre.

Fix

Turn the pad. Decide the format with the viewfinder first.