The Palace, Stirling Castle

The Palace, Stirling Castle, D. Y. Cameron, 1893
Art Institute of Chicago

D. Y. Cameron, The Palace, Stirling Castle, 1893. Etching on cream laid paper.

Pins mark where to look before you draw.

The Art Institute of Chicago · Clarence Buckingham Collection

Master studyLine + Mass

The Palace, Stirling Castle

Sculpture in a courtyard, with one figure to measure it by

The 1893 plate of James V's Renaissance palace inside Stirling Castle: the statued facade in raking light, a dark arch, and a single cloaked figure at the left that gives the whole courtyard its size. Cameron lettered the title on the plate; ignore it and draw the stone.

In pencilAn etched line is a drawn line. Copy it with hard grades and long points: tone from the spacing and direction of lines, cross-hatching only in the darkest third, no smudging anywhere.

Difficulty
Time
about 2.5 h
You draw with
H, HB, 2B, 4B graphite

Why this one

  • Sculpture on a building, drawn as masses of light and shadow rather than as figures.
  • One figure doing all the work of scale.
  • A dark arch used as the anchor of a composition.

From your kit

The whole kit →
  1. 1Grafwood H, HB, 2B, 4B H, HB for layout and line; 2B, 4B for the darks. Long points from the Blackwing on everything up to B.
  2. 2Kneaded eraser and the Mono Zero press-and-lift corrections only; the Mono Zero for a single sharp light.
  3. 3Alpha sketchbook 9 x 6 draw at the book's size and keep the proportions; date the page.
In general, this study asks for
  • Drawing pad or smooth cartridge
  • 2H and H with long points
  • HB for accents
  • Kneaded eraser
  • Sandpaper block

Watch first

All videos →

Squinting, value scales and why beginners under-read darks.

YouTube

The plan

4 stages · ~105 min
  1. 1

    Light direction and masses

    15 min

    Find where the light comes from (it rakes from one side). Thumbnail in three values: lit facade, shadow facade, black arch.

    Light on a sphere and a cube from the upper left: highlight, light, halftone, core shadow, reflected light and cast shadow, labelledhighlightlighthalftone (the turn)core shadow (darkest on theform)reflected light (never aslight as the lit side)cast shadow (darkest at thecontact)top planelightestfront: halftoneside: shadowEvery building is cubes, every tree is spheres. Decide where the light is before the first mark.
    FigureOne light, one direction.
    Checklist0 / 2
  2. 2

    The facade as architecture

    35 min

    H: bays, string courses, the niches as rectangles, the arch. The statues are vertical rectangles in their niches, not people yet.

    Dividing a receding wall into equal bays with the diagonal method: a centre line is drawn to the vanishing point, and each new bay is found where a diagonal through the previous bay's midpoint crosses the far edgeDraw bay 1 by eye. Find its centre with an X. Run a line from the top of bay 1through the centre of its far edge: where it hits the base is bay 2's far edge.Equal in the world means shrinking on the page. Never measure receding bays with a ruler.
    FigureBays by diagonals.
    Checklist0 / 3
  3. 3

    Statues as light and shadow

    45 min

    HB and 2B: each statue is a lit side and a shadow side; the shadow side joins the niche's shadow. No faces, no hands. 4B: the arch to black. The figure last, with the lightest touch.

    Checklist0 / 3
  4. 4

    Compare

    10 min

    Cover the figure with your thumb on both sheets: does the facade shrink? Note what the figure is doing. Date, box.

    Checklist0 / 2

What it should look like

  • A facade with sculpture that reads as light and shadow, not as little people.
  • One black arch, one figure, balanced.
  • Raking light you can name the direction of.

Where it goes wrong

  • Statues drawn as figures. They look like people. They are stone in light. Two values each, no features.

Log this session

Start the clock when you pick up the pencil. Stop it when you put it down. Log it. Every session counts toward the box.

00:00of ~150 min

Status

How did it go?

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